I’m a filmmaker, editor and writer based in Israel. Editing is my first language, but these days I move between fiction, documentary, cinematic advertising and AI-assisted visual storytelling. I make films and moving-image work driven by rhythm, music, dark humor and the strange emotional weather of real life.
Echo Atlas is a cinematic spec ad for a fictional music discovery app. The project was developed as an AI-assisted filmmaking experiment, combining concept writing, fictional product design, visual world-building, cinematic editing and generated imagery into a short atmospheric film about memory, influence and sound.
PARTY
Short Film | Writer-Director-Editor
A DJ returns to Israel after years abroad for an interview about a music festival tragedy from his past. A strange encounter with a young photographer turns one long day into a restless mix of music, performance, dark humor and emotional realism.
The Wolf and the Rider is an AI-assisted animated series created with my son, Gal. Set in a handmade cardboard desert of motorcycles, diners, crooked moons and supernatural deliveries, it follows Hell Rider and a loyal, food-obsessed Werewolf through a strange mix of action, comedy and dream logic. The project is both a visual experiment and a shared storytelling playground, built with AI tools, editing and a love for weird cinematic worlds.
Papaya, No! is an AI-assisted concept for a hidden-agenda dinner game built around family meals, secret goals and one very opportunistic dog. Set around a warm, chaotic dinner table, the game imagines a world where action cards direct reality: the phone rings, someone leaves the table, the roast is ready, and Papaya waits for the perfect unattended plate. The project grew from a playful board-game idea into a cinematic AI spec piece, combining game design, visual storytelling, comedy timing and product-world building. At its heart, it is a game about pretending to behave like a family while secretly trying to win, create chaos, or blame the dog.
